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WINFRED KWAO

9 months ago

HOW VICTORIAN ERA BIRTHED SENSATIONALISM IN TRUE CRIME

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The Victorian era, which lasted from 1837 to 1901, saw significant industrialization, cultural development, and sociological transformation. The popularity of true crime stories that captured people's attention during this time also reflected a fascination with the darker sides of human nature. A popular type of entertainment and moral study, true crime emerged in the Victorian era, thanks to sensationalist newspapers and gory penny dreadfuls.

The Birth of Sensationalism

Newspapers and magazines proliferated during the Victorian era, and printing technology advanced quickly. With their vivid pictures and in-depth reports of crimes, mishaps, and tragedies, sensationalist publications like "The Penny Illustrated Paper" and "The Illustrated Police News" satiated the public's thirst for controversy and drama.


These magazines sensationalized criminal stories in order to increase circulation and draw readers, frequently erasing the distinction between reality and fiction. Newspapers were replete with scandalous, violent, and violent stories that titillated readers with graphic details of depravity and brutality.

Notorious Cases

There were many high-profile crimes throughout the Victorian era that drew attention from the public and sparked the creative imaginations of authors and journalists. The Jack the Ripper killings in 1888 were among the most notorious incidents of the era. The anonymous prolific murderer tormented the streets of Whitechapel, London, killing and disfiguring sex workers with ruthless skill. Widespread media coverage of the case led to popular frenzy and intrigue with the mysterious culprit.

A judicial battle over the identity of a lost heir that fascinated the country for more than ten years, the Tichborne case, and the trial of Madeleine Smith, a young woman accused of murdering her lover with arsenic in 1857, were two other noteworthy cases.


Literary Influences

True crime writing flourished during the Victorian era as well, with writers fusing elements of detection and crime into their stories. Author Charles Dickens, widely regarded as one of the genre's forefathers, tackled issues of justice and criminality in books like "Oliver Twist" and "Bleak House."

Another well-known Victorian author, Wilkie Collins, explored the darker side of human nature in his sensationalist books, such as "The Woman in White" and "The Moonstone." These literary pieces offered readers not only amusement but also societal criticism on matters like morality, class, and the criminal justice system.

Moral Panic and Reform

During the Victorian era, true crime entertainment was very popular, but it also caused moral panic and cries for social reform. Sensationalist publications and penny dreadfuls were frequently condemned for their graphic portrayals of violence and their ability to taint people's morality, especially those of naïve young readers.

But the public's obsession with genuine crime also sparked calls for reform and closer examination of the criminal justice system. Prominent incidents like the Jack the Ripper homicides brought to light the deficiencies in law enforcement and the requirement for improved techniques for deterring and identifying crimes.


Legacy

The true crime genre has been shaped by the Victorian era, which also had an impact on how crime and justice are portrayed in contemporary media. The penny dreadfuls and sensationalist newspapers of the era set the stage for the real crime magazines and media sites that still hold the attention of readers today.

Some of the finest literary masterpieces of the Victorian era, which explored themes of morality, justice, and the human condition, were also influenced by the Victorian fixation with crime and punishment. The legacy of Victorian-era real crime serves as a reminder of the ongoing allure of the darker sides of human nature and the ability of narrative to delve into the complexity of the human experience as we continue to wrestle with questions of crime and justice in the twenty-first century.

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WINFRED KWAO

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