Elections 2024: Efya teases Maa Lydia after losing to John Dumelo
Ghanaian singer Efya has stirred reactions on social media after playfully teasing Lydia Seyram Alhassan, the outgoing MP for the Ayawaso West Wuogon constituency, following her defeat in the 2024 parliamentary elections. Lydia Alhassan, popularly known as Maa Lydia, lost her seat to actor-turned-politician John Dumelo in what has been described as a fiercely contested race.
Taking to X (formerly Twitter), Efya shared a lighthearted jab directed at the incumbent MP. She posted a still image from a video of Maa Lydia dancing at a political event during her campaign. In the picture, Maa Lydia was dressed in an all-white ensemble, including a white T-shirt, skirt, and matching footwear, confidently enjoying herself at the gathering.
Efya, known for her wit and humor, captioned the post:
“Wo maame baako, wo papa bebree,” a playful phrase in Akan, loosely translating to “Your mother has one, your father has many.” The cryptic caption sparked curiosity and amusement among her followers, who interpreted it as a cheeky dig at Maa Lydia's electoral loss.
The post quickly gained traction, with many users joining the conversation. Some found the singer’s joke humorous, while others debated whether it was appropriate to poke fun at the outgoing MP. Supporters of Lydia Alhassan expressed disappointment, arguing that the gesture lacked empathy and sensitivity toward a public figure dealing with a political setback.
John Dumelo’s victory has drawn widespread attention, as it marks a significant shift in the political dynamics of the Ayawaso West Wuogon constituency, a seat long considered an NPP stronghold. Dumelo's grassroots campaign and strong connection with the youth were instrumental in securing the win, solidifying his transition from entertainment to politics.
Meanwhile, the humorous post from Efya has added a layer of light-hearted banter to the otherwise serious political atmosphere. It reflects the blend of culture and politics that characterizes Ghanaian elections, where satire and commentary often play a role in public discourse.
As the dust settles, the focus now shifts to Dumelo’s performance as the new MP and his ability to meet the high expectations of his constituents. While Efya’s post may have ruffled some feathers, it underscores the mix of emotions and engagement that Ghanaian politics continues to inspire.
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