depicted him as "a dimpled, dashing jokester glad to wear the mantle of Class Clown".[190] During the band's 2014 Four period, Styles started working together with beautician Harry Lambert.[191] In 2016, he was highlighted in Another Man magazine,[192] after which Anne T. Donahue of The Gatekeeper marked him an "artthrob" who offers "some different option from token shirtlessness" and transmits "a faithfulness to the specialty universes of workmanship and design instead of holding back nothing Bulletin's Chris Payne thought that Styles' "energy has consistently shouted rock star."[194]
As an independent craftsman, Styles has settled on "candyfloss" custom pink suits, sequined tops, printed glossy silk flares and a Gucci weighty aesthetic.[186] Vanity Fair's Erika Harwood expressed that Styles went from "kid bander" to "extravagance suit specialist" in depicting his change in style.[195] His style was noted as "ostentatious", "stylish" and "fun".[196] Refering to his utilization of pink, Styles cited English performer and The Conflict's bassist Paul Simonon in a Drifter interview: "Pink is the main genuine stone and roll colour."[11] Ann Powers of NPR composed that his design reviews the Zest Young ladies' "dramatic procession through pop's fashion legacy" and that he "solaces with design's approach to recounting stories through guileful accessories."[165]
Gucci dress worn by Styles on the front of Vogue in plain view at the V&A Gallery
Styles started wearing sweater vests, loose high-waisted jeans and pearl neckbands in 2019,[197] which provoked Jacob Gallagher of The Money Road Diary to consider him the "popularizer of the masculine pearl necklace."[198] Tom Lamont of The Gatekeeper noticed that a portion of Styles' design decisions have added to "a significant political conversation about gendered fashion."[199] In 2020, Styles turned into the main man to show up independent on the front of Vogue, for its December issue.[200] Traditional observers scrutinized him for wearing a blue Gucci dress on the cover;[201][202] Candace Owens requested that society must "Bring back masculine men",[203] and Ben Shapiro of The Day to day Wire referred to the cover as "a mandate on manliness for men to wear floofy dresses."[204] Styles
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rom token shirtlessness" and transmits "a faithfulness to the specialty universes of workmanship and design instead of holding back nothing Bulletin's Chris Payne thought that Styles' "energy has consistently shouted rock star."[194]
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